Calendar Watch: Happening this week...

Going on this week in Brussels,
CULTURES: The World Arts Fair brings together Ancient, Tribal and Asian art in one event. Find a list of participating galleries and a map on their website.

In Fort Worth, TX, Brian Lebel's Old West Show and Auction is happening this Saturday and Sunday. Tickets and info.

Stay up to date about upcoming and ongoing events, exhibitions and auctions with our full list of events.

 

If you have an upcoming exhibition or event you would like included on our calendar, submit it using the link on our calendar page.

Understanding Cultural Property and Values

A recent New York Times article regarding the Andover Newton Theological School's NAGPRA compliance issues reinforces the need for increased communication regarding cultural property. 

In an effort to foster communication, understanding and respect, ATADA encourages you to attend "Understanding Cultural Property: A Path to Healing Through Communication" in Santa Fe, NM on May 22, 2017.

This educational symposium will be focused on topics related to cultural heritage and will feature presentations by tribal representatives, ATADA members, museum specialists, legal counsel and art market professionals. 

A list of panelists, event location and registration info can be found by clicking below. 


Understanding Cultural Property: A Path to Healing Through Communcation

Save the Date!!  May 22, 2017 • Santa Fe, NM


When the 2016 STOP ACT was introduced, ATADA & SAR came together to create better communication and understanding of the controversial issues surrounding the proposed legislation. This May, ATADA & SAR will jointly present the symposium, Understanding Cultural Property: A Path to Healing Through Communication. 

This event is Monday, May 22, 2017, in the Eldorado Ballroom at the Eldorado Hotel in Santa Fe, New Mexico.

The event is open to the public; registration is just $35 for a full day (9-4:30).

This symposium is an important dialog for all people involved in the Native American art community, and beyond.  A full day of presentations and panel discussions will be given by tribal representatives, specialized legal counsel, art professionals, museum personnel, collectors, and various other interest groups.  Here are some topics slated for consideration throughout the day: national legal experts will cover the proposed legislative measures; tribal religious and government representatives will share their contemporary viewpoints; art market professionals and collectors will discuss collecting histories and the potential negative economic impact of unclearly written bills.

The goal is not only to inform the public about the importance, and primary consideration, of tribal rights to consultation and self-determination, but also to find positive and respectful, cooperative solutions with the national private art market that could actually enhance, rather than harm, southwest regional and tribal economic interests.  This momentous occasion will also afford ATADA the opportunity to introduce a developing Voluntary Returns initiative that seeks to assist in bringing privately owned, important tribal religious objects of cultural patrimony, directly back to the tribes. 

We should all be forward-thinking: this engagement hopes to produce more than political solutions—it aims to start a historical healing process, encourage tribal empowerment, and develop future understanding with a market that supports both antique and contemporary tribal artistic traditions. 


Background information on the law and the issues being grappled with: 

At SAR, Panelists Negotiate Repatriation and the Law

The School for Advanced Research (SAR), in Santa Fe, New Mexico, presented the final installment of a Speaker Series celebrating SAR’s 110th anniversary: an April 19th panel titled, At the Forefront of Repatriation: New Policy and Impact Beyond the United States. The program grappled with the specifics of proposed legislation drafted in response to the sales of Hopi, Zuni, Acoma, and Navajo artifacts. The Safeguard Tribal Objects of Patrimony (STOP) Act was introduced in Congress in 2016 expressly to halt export of Native American objects.

Panelists included Honor Keeler, Director of the International Repatriation Project for the Association on American Indian Affairs (AAIA); Gregory Smith, of Hobbs, Straus, Dean & Walker, a Washington DC Indian Law specialist firm, and Kate Fitz Gibbon, of Fitz Gibbon Law, a cultural property lawyer representing the Antique Tribal Arts Dealers Association (ATADA). Brian Vallo, Director of the Indian Arts Research Center at SAR, acted as moderator.  

Although the 2016 STOP Act failed to pass through House and Senate committees, an amended version is expected to be introduced in Congress later this year. The SAR panelists laid out their differences regarding this proposed legislation. Honor Keeler spoke movingly about the historic loss of artifacts through US government and private sector abuses, and questioned whether items collected over the last 520 years, even if collected legally, were collected with “informed indigenous consent.” She said that the existence of a market for Indian artifacts promotes looting. Making the right contacts with foreign governments was key to repatriation of ancestral remains, and she believed that the STOP Act would make a difference, since French courts did not recognize communally based claims by tribes or deal with them as sovereign entities. She felt that returning ceremonial items and ancestral remains was a human rights issue.

Gregory Smith noted the passage through Congress in 2016 of a non-binding joint resolution, which condemned illegal trafficking and stated that sacred items should be returned to the tribes. Passage of this resolution indicated clear bipartisan Congressional support for STOP, which was shared by the whole New Mexico delegation. Smith stated that tribes don’t like the emphasis on “ownership” and on current owner or collector’s rights of property. He asked, how do we define private property? Most of the time, the definitions of private property are hurtful to tribes and not in their best interest. He also noted that STOP has not yet been reintroduced, because it is being reworked…so the provisions aren’t set.  He described STOP as a blunt instrument meant to invoke conversation.

Fitz Gibbon agreed completely that ancestral remains and communally owned ceremonial objects should return to tribes, but said that STOP would not achieve that. She pointed out that despite the legislation’s intent to return artifacts to the tribes, it was not a clear declaration of ownership by the tribe but an export law. An export law would not actually strengthen the tribes’ legal position in the French courts, since France permits sale of objects from many nations with export laws. Furthermore, in the US, STOP could vastly expand the application of NAGPRA to private citizens, and deny American collectors the fair notice and due process required by the Constitution. She supported the tribes’ rights to keep secret information private, but since no list of sacred items was possible, according to the tribes, and there was no permitting system for the 568 US tribes, she questioned whether either exporters or US Customs officers could ever have the necessary knowledge to properly enforce the STOP Act, especially when a ten-year jail sentence could result.

Further, the law’s immunity provision implied that all collecting was illegal, when it was not, and telling collectors not to buy Indian art would not only negatively impact New Mexico’s economy and cultural tourism in general, but also frighten existing collectors into returning items that had nothing to do with religion. Native artisans dependent on sales were particularly vulnerable, as tribal leaders did not exclude new objects from the “ceremonial” category, and the STOP Act potentially covered all.

She pointed instead to the new Voluntary Returns Program initiated by ATADA, which, even after a short time, has been very successful in returning dozens of important ceremonial objects to the tribes. Combined with educating collectors and the public that certain items should not be sold, this Voluntary Returns program was a model for bringing items home in a respectful manner.

Regardless of disagreements regarding method, the discussions were historic first steps in bringing tribes and the art community together and in bringing key ceremonial objects back to the tribes.  As one audience member remarked, “It’s the best panel we’ve had in the whole series because people were willing to disagree with each other.” Another said that the difficult situation that national tribes are in is more than political, so there need to be more than just political solutions.


Presented by:

The School for Advanced Research (SAR) 
SAR is a research center located in Santa Fe, New Mexico, which supports advanced scholarship and creativity in the social sciences, the humanities, and Native American art.

The Antique Tribal Art Dealers Association (ATADA)
ATADA is an international organization whose art dealer, collector, and museum members are located primarily in the US. ATADA focuses on professional development and best practices for the trade in historic and contemporary tribal, ethnographic, and indigenous arts from around the world. 


This Symposium is made possible, in part, by the generous support of


Current information on confirmed speakers, panel titles and schedules will be updated on the Symposium Information page as it becomes available.  Or contact David Ezziddine at director@atada.org for more information. 

Downloads:

The push to ban all ivory sales in the UK...

According to this article by Nicola Davidson, posted to CNN, there is an ongoing effort in the UK to institute a "near-complete ban" on ivory similar to the ban put in place in the US.  From the article, it is unclear if the UK ban would only pertain to elephant ivory or would include walrus and other sources exempted by the US ban. 

http://www.cnn.com/2017/04/12/luxury/antique-ivory-debate-uk/index.html  

Information on the US Ivory ban can be found here.
 

 

ATADA Foundation Update - Spring 2017

The ATADA Foundation is pleased to announce the recipients of the Jim and Lauris Phillips Scholarship Awards for 2017. Awarded through the Heard Museum’s Young Artists Program and in conjunction with the Heard Museum Guild Indian Fair and Market, these three-year scholarships are given to help talented artists continue to pursue their work and find further success in the art world.

Best of Show:
Paintings, Drawings, Graphics, Photography Spenser Stanaland (Navajo) - “Santa Fe Tourist”

Best of Class:

Baskets:
Anne Lalo (Hopi)
Sifting Basket

Sculpture:
Tara Lujan-Baker (Taos Pueblo)
“Happy Bear”

Jewelry and Lapidary:
Temuujin Abeyta (Santo Domingo Pueblo)
"Rainbow River”

“Santa Fe Tourist” by Spenser Stanaland (Navajo)
Photo Credit: Craig Smith, Heard Musuem

Save The Date - May 22, 2017

Cultural Property Awareness: 
A Path to Healing Through Communication 

 An educational symposium focused on topics related to cultural heritage will be presented by ATADA members, tribal representatives, museum specialists, and other professionals 

Monday, May 22, 2017 • 9am-4:30pm 

Eldorado Hotel Ballroom
309 W. San Francisco Street
Santa Fe, New Mexico 87501 

Information and Tickets: 
atada.org/events 

Presented by ATADA, in conjunction with the School for Advanced Research (SAR)


Upcoming Panel Discussions and Presentations - San Francisco | Marin, CA

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Pending and Past Legislation and Their
Effects The Tribal Art World

The panelists for all talks are Mark Blackburn, Kate Fitz Gibbon and Bob Gallegos. 
Kim Martindale will be moderating. 

Friday, February 10th at 9:30am
Open to ATADA Members and other dealers.
•This is for professionals in the trade only. 

Friday, February 10th at 1pm
A general forum open to the public. 


San Francisco Tribal & Textile Art Show - 2017
Fort Mason Center, Festival Pavilion
2 Marina Blvd
San Francisco, CA 94123

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Saturday, February 18th at 8:30am
Open to ATADA Members and other dealers.
•This is for professionals in the trade only. 

Saturday, February 18th at 1pm
A general forum open to the public. 


The American Indian Art Show - Marin 2017
Marin Civic Center
10 Avenue of the Flags
San Rafael, CA 94903

TOPICS OF DISCUSSION

Tribal & Textile Art Show

Dealer Program:
Legislation designed to end the art trade and aggressive actions by law enforcement made 2016 one of the most dangerous years ever for the ethnographic and Native American art trade. Dealers need to know about new legislation and government policies that directly threaten collecting, museums, and the trade. Panelists will discuss the multiple seizures at NY’s Asia Week, the TAAR Act’s effect on title to foreign cultural property and the STOP Act’s limitation of due process and property rights.

Art dealers must work together to foster the lawful trade, collection and exhibition of cultural artifacts. This also requires working constructively with US tribes, setting reasonable parameters for documentation of foreign art, and making make sure that the US only honors foreign laws which are consistently enforced at home.

Failure to act could mean:

  • Liability for possessing art and antiquities based on foreign laws.
  • U.S. government review of art held by individuals and museums to determine adequacy of title and documentation.
  • Selective confiscation.
  • Loss of international art fairs, tourism, and cultural prestige.
  • Disappearance of thousands of small businesses.
  • Loss of value for collections built up over years.

Public Program:
It’s been a tough year in the art world – from seizures at NY’s Asia Week to attempts to pass draconian anti trade legislation in Congress. Museums, collectors, and the trade are being hurt by fake-news attacks claiming that collecting is immoral – even that it supports terrorism. Some hardliners seek blanket returns of art to source countries or liability for possessing art and antiquities based on foreign laws.

How can the arts community work together to defend itself and to help to set the standard for ethical collecting? Panelists will discuss changes to government policies and aggressive legal prosecutions. They will explore defensive and progressive actions to save value for collections, ensure a viable art economy, and protect access to art for future generations.


American Indian Art Show

Dealer Program:
A special session for art dealers will answer questions on existing laws and explore new strategies for halting damaging legislation and building bridges with the tribes. The 2016 Safeguard Tribal Objects of Patrimony Act (STOP Act), was a response to the auctioning of ceremonial objects in Paris, France. STOP would have covered all categories of Native American art and artifacts, created dangerous uncertainties for private owners of a wide range of Indian art, generated consumer confusion damaging legitimate art dealers and tribal artisans, and created a bureaucratic nightmare for the tribes.

A repatriation movement is sweeping through Native American communities and the Indian art market may be a casualty in its path. A panel of legal and dealer experts will discuss how the trade must work together to build a positive public message, encourage good faith measure that benefit both tribal and dealer interests, and prepare to defend the basic right to trade in Indian artifacts.

Public Program:
Art dealers, collectors, and public and private museums will hear the latest on legislation directly affecting their interests at a panel discussion with legal and trade experts. The 2016 Safeguard Tribal Objects of Patrimony Act (STOP Act) was a response to Hopi, Acoma, and Navajo anger sacred and ceremonial items had been sold at auction in Paris, France.  STOP was a well-intentioned bill that would have created dangerous uncertainties for private owners of Indian art, and resulted in consumer confusion and a bureaucratic nightmare for the tribes. It was a serious departure from Congress’ intent to preserve scientific and academic access for the public benefit through private collections of Native American cultural objects.

A new 2017 STOP is currently being redrafted that creates the same risks. The panel will discuss the work to ensure that new legislation doesn’t taint entire the Indian art market, harm local economies, and reduce income to tribal artisans. They will explain how tribal art dealers can work together with tribes on voluntary donations of sacred and ceremonial objects, establish positive relationships and explore new paths for communication between tribes and the arts community.

Fall/Winter 2016 Edition of the ATADA News

Click the image to read the latest issue!

Click the image to read the latest issue!

In This Issue...

  • In Memoriam: Remembering Jay Evetts
  • On Trend: Mark Blackburn reviews the major Tribal Art Fairs from this past summer.
  • Legal Briefs: Ron McCoy's updates on the STOP Act and NAGPRA repatriation notices
    • Plus find in-depth information, reports and testimony regarding the STOP Act and other pending legislation
  •  Contemporizing the Pueblo Pottery Past: Charles King looks at the historic foundations of the pottery of Russell Sanchez.
  • No Free Appraisals: Vanessa Elmore delves deeper into the intricacies of the appraisal process. 
  • The New ATADA.org: David Ezziddine shows how to utilize the new ATADA Marketplace!
  • Interactive Calendar of Events and more...